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The Art of the Short
Gogol makes the form strange. Poe makes it terrifying. Maupassant sharpens it into a blade. Chekhov softens the edges until the blade is invisible. Joyce ends a collection with the greatest story ever written. Kafka breaks every rule. Hemingway removes everything that can be removed. Borges makes the story a machine for thinking. Jackson makes the ordinary lethal. Singer finds the sacred in a fool. O'Connor finds grace in a killer. Baldwin makes it sing. Oates makes it a trap with no exit. Carver says less and means more.
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- 1The NoseNikolai Gogol (1836)
- 2The OvercoatNikolai Gogol (1842)
- 3The Fall of the House of UsherEdgar Allan Poe (1839)
- 4The Tell-Tale HeartEdgar Allan Poe (1843)
- 5Boule de SuifGuy de Maupassant (1880)
- 6The KissAnton Chekhov (1887)
- 7Ward No. 6Anton Chekhov (1892)
- 8The Lady with the DogAnton Chekhov (1899)
- 9The DeadJames Joyce (1914)
- 10The MetamorphosisFranz Kafka (1915)
- 11A Hunger ArtistFranz Kafka (1922)
- 12Hills Like White ElephantsErnest Hemingway (1927)
- 13FiccionesJorge Luis Borges (1944)
- 14The AlephJorge Luis Borges (1945)
- 15The LotteryShirley Jackson (1948)
- 16Gimpel the FoolIsaac Bashevis Singer (1953)
- 17A Good Man Is Hard to FindFlannery O'Connor (1953)
- 18Sonny's BluesJames Baldwin (1957)
- 19Where Are You Going Where Have You Been?Joyce Carol Oates (1966)
- 20CathedralRaymond Carver (1983)