← All Paths
The French Invention
Montaigne invents the essay and makes doubt a method. Moliere perfects comedy. Racine perfects tragedy. Voltaire laughs at everything. Laclos weaponises letters. Hugo fills a thousand pages with justice and mercy. Flaubert makes every sentence a moral act. Baudelaire finds beauty in the gutter. Proust finds eternity in a teacup. Celine screams. Sartre and Camus sort through the wreckage of meaning. Beauvoir refuses to be the second anything. Beckett sits in the dark and waits. Duras strips love to the bone.
0 of 17 read
- 1EssaysMichel de Montaigne (1580)
- 2The MisanthropeMolière (1666)
- 3PhèdreJean Racine (1677)
- 4CandideVoltaire (1759)
- 5Dangerous LiaisonsPierre Choderlos de Laclos (1782)
- 6Les MisérablesVictor Hugo (1862)
- 7Madame BovaryGustave Flaubert (1857)
- 8The Flowers of EvilCharles Baudelaire (1857)
- 9In Search of Lost TimeMarcel Proust (1927)
- 10Journey to the End of the NightLouis-Ferdinand Céline (1932)
- 11NauseaJean-Paul Sartre (1938)
- 12The StrangerAlbert Camus (1942)
- 13The Myth of SisyphusAlbert Camus (1942)
- 14The PlagueAlbert Camus (1947)
- 15The Second SexSimone de Beauvoir (1949)
- 16Waiting for GodotSamuel Beckett (1953)
- 17The LoverMarguerite Duras (1984)