Hopscotch
Julio Cortázar(1963)
A restless Argentine intellectual wanders the streets of Paris, haunting jazz clubs and debating art with a loose circle of bohemians, searching for a metaphysical passage to the other side of experience. Cortázar published this novel with an invitation: read it straight through, or follow an alternate sequence that hops between chapters, folding the book back on itself like a game that keeps changing its rules. Written in the white heat of the Latin American literary explosion, it is a novel about the inadequacy of novels, a love story that destroys its own lovers, and a philosophical inquiry conducted through bebop, sex, madness, and tenderness. Every reading rearranges it. No two passages through its pages arrive at the same place.
If you loved this
Joyce built the novel you can read in any order; Cortázar made the invitation explicit.
Sterne demolished the novel's conventions two centuries before Cortázar, and with the same glee.
Calvino takes the same delight in a book that refuses to behave like a book.