Ten thousand daffodils crowd the margin of a lake, tossing their heads in a wind off the water, and a wanderer who came upon them by chance stands and watches a whole field dance. William Wordsworth took the scene from a walk with his sister Dorothy in the Lake District; her journal recorded the same dancing daffodils, and he made of it something stranger than a nature poem. The flowers are only the occasion. What the poem is really after is what happens later, alone, when the mind is empty or low and the daffodils come flashing back unbidden upon what he calls the inward eye, and the heart that thought itself solitary fills and dances with them. This is the quiet, radical claim under the famous opening line: that beauty truly attended to is never spent, only banked, waiting to be spent again. Joy, he insists, can be saved.